Hystera’s Swan Song
Porcelain, 48×26×14 cm, 2024
A body suspended in transformation—the arch of hysteria, frozen in fragile porcelain. In this work, the body is both vessel and rupture, an object of spectacle yet deeply interior. The figure merges with the swan, an echo of mythical metamorphosis, where desire and fear entwine. The pose references 19th-century medical illustrations of hysteria, a condition historically tied to the control and pathologization of emotion. Porcelain, a material of both delicacy and resilience, mirrors these contradictions. The piece speaks to the medicalized body, the history of suppressed expression, and the space between ecstasy and control—a moment of surrender, tension, and transcendence.
Juvenescence
Bronze on Concrete Block, 15×10×5 cm, 2024
A hybrid fawn-child, cast in bronze, embodying the delicate transition between innocence and transformation. Juvenescence lingers between worlds, a being neither fully human nor animal, frozen at the precipice of becoming. The smooth patina of bronze contrasts with the uncanny stillness of the form—frozen yet expectant. The work draws from mythology and psychology, touching on archetypes of the changeling, the sacred fawn, and the threshold between youth and experience. In its quiet presence, Juvenescence becomes a meditation on metamorphosis —on what is left behind, and what is yet to emerge.
Reverberation
Victorian Hand Mirror, Acrylic & Mixed Media, 30×12×5 cm, 2022
A distorted face submerged in a cobalt-blue mirror, referencing Narcissus and the shifting nature of self-perception. Inspired by Sylvia Plath’s Mirror, this piece explores the duality of mirrors as objects of truth and illusion. Throughout history, mirrors have been imbued with symbolism—portals to other realms, vessels of vanity, or sites of self-confrontation. Here, the surface becomes unstable, a place where identity dissolves and echoes of the past linger.
Acquired by the Soho House Art Collection (High Road House, London)
Rites of Passage
Bronze, two pieces, each 20×8×3 cm, 2024
A pair of antlers morph into human faces, capturing the tension between growth, transformation, and ancestral memory. Traditionally symbols of power, survival, and renewal, antlers shed and regrow each year, making them emblems of cyclical change. In Rites of Passage, this natural metamorphosis is disrupted—the antlers retain their form, yet they are fused with something human. Are these figures emerging or dissolving? The work reflects on the fragility of identity, the connection between human and animal instincts, and the continuous process of becoming.
Trauma Doesn’t Like to Be Touched
3D-Printed Bird & Victorian Cradle, 50×52×24 cm, 2025
A small 3D-printed bird rests inside a rusted Victorian cradle. The cradle—an object historically tied to care and protection—transforms into something mournful, a bed for the inanimate. It gestures toward the human impulse to nurture the lost, to frame grief within an object, a ritual, a relic. The act of replication does not restore but instead amplifies absence—the bird remains untouchable, fragile, hovering between presence and erasure. This work explores the tension between preservation and detachment, between holding on and letting go. Memory lingers, yet the body is no longer there.
Exhibited at the Fitzwilliam Museum, Cambridge (2024)
Reliquary
3D-Printed Magpie, 46x30x20 cm, 2025
Dead birds, suspended between the digital and the tangible, haunt the edges of memory, loss, and transformation. These 3D-printed sculptures originate from taxidermy scans, preserving a moment of stillness—a body in limbo. They speak to the fragility of existence, the act of replication as a form of mourning, and the uneasy line between preservation and decay. For me, birds have long been messengers, bearers of mythology, omens, and symbols of metamorphosis. In this body of work, the digital process does not sanitize them but amplifies their ghostly presence. They become echoes—fragile yet frozen, intimate yet distanced.
Fearful Symmetry
Concrete, feathers, mixed media, 9x12x6 cm, 2022
A fractured myth, suspended between innocence and violence. Conjuring a tension at the heart of many fairytales-a moment of transformation, where the delicate meets the brutal. The wolf-eared girl, a trickster or victim, faces a counterpart cast in deep blue, evoking the sky, water, or the distant gaze of something unknowable. Between them, a body-once winged, now petrified-its soft feathers trapped in hardened stone. This piece extends my ongoing exploration of metamorphosis, fractured identities, and the psychic weight of archetypes. The materials— concrete, feathers, and pigment-echo the dualities within the work: softness and permanence, the ephemeral and the fossilized.