Psyche’s Awakening
Acrylic and gesso on wooden panel, 100×70 cm, 2025
A spectral moment of transformation—Psyche caught between dream and revelation. The ghostly figures, veiled in pastel hues, evoke both the fragility of awakening and the weight of the unconscious. Her powdered, near-regal presence nods to the faded grandeur of Marie Antoinette, a symbol of both beauty and doomed enlightenment. Cupid, shadowed yet tender, whispers the inevitability of love’s trials. Here, myth is retold in echoes and apparitions—desire and fate entangled. As Psyche reaches for something beyond, the composition lingers in an unresolved state, mirroring the liminal space between knowledge and innocence, dream and consciousness, the past and its unfolding.
Rapture’s Vestige
Acrylic and gesso on wooden panel, 20×15 cm, 2025
A moment of suspension—between ecstasy and vulnerability, devotion and release. This piece explores the body as both a site of transformation and a vessel of longing, lingering in the space between presence and dissolution. The central figure, faceless and weightless, hovers in a near-religious pose, yet it is unclear whether they are ascending or collapsing. Ethereal marks of color fracture and blur around them, evoking the instability of emotional states—hysteria, rapture, grief. Inspired by medieval depictions of saints and martyrs, the work draws from both art history and psychoanalysis, questioning how the body bears the tension between surrender and survival.
Leda and the Swan
Acrylic and gesso on wooden panel, 100×70 cm, 2025
A reimagining of the Leda and the Swan myth where the swan is not an external force but an emanation of the psyche itself—both predator and protector, desire and dread entwined. The faceless figure dissolves into the encounter, identity slipping away as if consumed by the swan’s presence. Is this an act of surrender or struggle? Violence or transcendence? The self wrestles with its own reflection, wings unfurling in tension, beak at the throat. Without a face, the figure becomes universal, an echo of all who have been taken—by longing, by fear, by forces both within and beyond.
Memento Mori
Acrylic and gesso on wooden panel, 20×15 cm, 2025
A bearded figure stands at the threshold of eternity, his gaze steady, the skull a quiet companion. This piece reflects on the tension between life and death, presence and absence. The skull, a traditional vanitas symbol, is less an omen than a reminder of impermanence. The figure does not turn away but acknowledges its inevitability. Rendered in muted hues, the painting hovers between realism and dream, evoking the beauty found in impermanence. Memory, like the body, is fleeting—yet what lingers is the weight of what has passed.
Shadow Wolf
Acrylic and gesso on wooden panel, 100×70 cm, 2025
A figure partially consumed by shadow is flanked by the presence of a wolf. The work explores containment, instinct, and the tension between visibility and concealment—drawing on psychoanalytic and mythological references.
Dialogues of the Unconscious
Acrylic and gesso on wooden panel, 100×70 cm, 2025
A layered, fractured composition where a male figure is reflected in two positions—mirroring internal fragmentation and duality. Animals (a wolf, a bird) appear as symbolic messengers of instinct and transformation.
The Wolves Beneath Desire
Acrylic and gesso on wooden panel, 100×70 cm, 2025
A reclining male form lies surrounded by ghost-like wolves. The wolves appear both protective and threatening, suggesting desire as a site of vulnerability, danger, and subconscious longing.
The Angel, The Wolf & The Watcher
Acrylic and gesso on wooden panel, 100×70 cm, 2025
Three mirrored figures—a spectral angel, a crouched wolf, and a faceless observer—represent aspects of longing, repression, and detachment. The composition evokes an ambiguous narrative between the sacred and the psychological.